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Facilitator
Style
Wayne Nelson
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The style of the facilitator is one of the key
factors in establishing a participatory environment. Style goes far deeper than
appearance, charisma, charm and grace. There are very real values, practices
and techniques that enable people to participate in designing their own future.
An effective facilitator is a living embodiment of the inherent values and principles
of participation - a transparent presence that empowers the participants and
enables them to get results.
Intentional
Presence
Each facilitator has a unique style, but can also
be a chameleon; changing to be effective in each situation. A facilitator acts
as a servant enabling the group to reveal its own wisdom rather than appearing
as guru, dignitary or a super star. Everything a facilitator does builds toward
the ultimate purpose of enabling the individuals and the group to be at their
best.
Facilitators are always on stage. They dress appropriately
for the group. Garish clothing and outlandish jewelry put the focus in the wrong
place. Movement, posture and voice set the mood and pace. Sitting down sets
a different mood than moving quickly with highly animated gestures. An enticing
call to attention draws the participants together in a different mood than a
barked command or a loud gavel.
Establishing a genuine connection with the participants
by mixing naturally without standing out or disappearing into the group enables
you to play the facilitator role without distancing yourself. Doing the homework
to understand the group honours them and positions you for effectiveness.
Knowing the relevant news and current events tells
them you care about them. Being prepared allows you act naturally. Observing
yourself and using the ToP Focused Conversation method as a reflective tool
can allow you to reflect on your experience. Authentic style comes from the
depths. Focusing on the deepest messages you intend to communicate allows you
to build your style from that foundation.
Respect,
Honour and Affirmation
Mutual respect is one of the keys to genuine dialogue.
Believing that all the participants have the inherent capacity to understand
and respond creatively to their own situation enables a facilitator to encourage
authentic self determination and self reliance.
Methods of open inquiry lead to the assumption
of individual and collective responsibility. Facilitators enable people to increase
their capacity to understand and interact with their world.
Facilitators assume that everyone is a source of
ideas, skills and wisdom and every bit is needed. The facilitator receives all
ideas as genuine contributions to the process. Respectful questions reveal deeper
thinking and enable people to discover their real wisdom.
Great facilitators practice active listening. If
you can repeat a person's comment as it was stated, you are on the way. Paying
attention, looking at people as they speak, taking notes and following the thinking
all help. Notes honour the contributor and capture the ideas for later discussions.
Nothing demoralizes a group more than a facilitator who disregards people or
changes their thoughts.
People who are heard, affirmed and valued participate
even more creatively. Comments, gestures, body language and acts of respect
that indicate acknowledgment, understanding and encouragement are highly valuable.
Affirmation is only affirmation if it is clearly genuine. Play acting will be
seen for what it is. Facilitators avoid any favoritism, because they are an
objective presence and cautious that their affirmation does not influence the
content or group dynamics. At the same time, a good facilitator enables a group
to establish and respectfully maintains norms which do not allow individuals
to dishonour the group with inappropriate comments and behaviour.
Moving
Forward Together
Most of the art and science of facilitation is
focused on enabling groups to develop common understanding and a common will.
The facilitator is out to enable the individual and the group to discover their
insights, reach consensus and achieve their objectives.
Assuming that the group can work together in a
positive and creative way will focus you on finding ways for that to happen
while emphasizing difficulties will amplify problems. Forming consensus and
getting appropriate results go hand in hand. The stylistic qualities involved
have to do with engaging people in a genuine dialogue over their concerns.
Start with a careful design for the whole event.
An eye on the whole process allows for choices which will lead the group to
what it wants to achieve. Facilitated processes are always on the move.
The facilitator needs to have a clear sense of
where things are going so appropriate questions can keep the discussion moving.
The ToP method itself is one of the best tools to mediate disputes and clarify
misunderstandings. Taking a moment to clarify or resolve things will enable
the whole group to move together.
Dialogue begins with ideas. All the ideas need
to get into the mix and the group needs to understands them. No judging or arguing
are necessary or helpful at this point. The style is eliciting, evoking and
generating. A long list of ideas is a just a long list of ideas and pretty easy
to come by. Unprocessed thoughts become orphans. You can clarify and examine
them, group them into similar clusters revealing relationships and patterns
of thought.
This is where the sap starts running. The style
is a balance of high play and a deeply earnest search for meaning. Patterns
get named and reality takes on a new cast. The group generates new knowledge,
creates meaning and significance and as it does so it construct a common understandings
of its world. You midwife a new constellation of reality.
Facilitator
as Orchestrator
In a mythological sense, a facilitator is orchestrating
"cosmic energies." The Indian mythological epic Mahabarata depicts a war among
the gods. Primal life energies assume the form of Gods, Goddesses, people and
animals. The real world of the late 20th century is not nearly so clear.
These forces do not wear tee shirts with emblems
like "good" and "evil" emblazoned on them like cosmic hockey
teams. They show up as a multiplicity of subtle energies that interact in a
blending and balancing dance or jazz that can range from deeply harmonious to
shockingly discordant. William Irwin Thompson calls genuine dialogue "mind jazz."
The style of the facilitator is more like a symphony
conductor than a referee. All of the instruments play their own part in a very
large and complex score that is written as it is played. The facilitator orchestrates
the composition of the score as well as the performance and they a take place
at the same time.
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